They are one of the standout instruments on this album. The drums are creative and fairly original. The bass follows the guitars far too much for comfort thankfully this would change on later releases. They create an epic yet sad atmosphere and show the early signs of the bands eventual sound. The guitars are mostly open chorded and they have a fair amount of dirge and darkness. The guitars have a slow and depressed feel to them. The production is what you expect from a Century Media act that the label was unsure of. Given time however, this album will grow on you. It’s apparent that the loss of the founding guitarists and change of direction was something that they struggled with on this recording as a result.
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This the first full length by Italy’s favorite international (former) Metal-heads is a mixed bag of good and bad. This album is perhaps the closest thing they’ve ever done to their early demo days. Enter their record deal and a name change and they’re style drastically changed too. Not many people know that when Lacuna Coil started they were more or less pure Paradise Lost worship, mixing in hits of early technical Death Metal in their style for something new and exciting. In the end, the project IS ambitious and peculiar but it will please fans of this music and possibly attract future discoverers of a goldmine of traditions and wizardry that I am still amazed at. The covers are done with the highest level of respect, played beautifully, with a modern while still purely raw production and a rooster of guests that will make the connoisseurs tremble: Lino Vairetti (Osanna), Martin Grice (Delirium), Sophya Baccini (who sings New Trolls and Circus 2000 songs), Aldo Tagliapietra (Le Orme), Antonio Bartoccetti (Dietro Noi Deserto, Antonius Rex, Jacula), Stefano “Lupo” Galifi (Museo Rosenbach)… And they sound different from anything else to this very day. And yet you could hear the influence of Italian melodic tradition all over them. You could hear how those bands were actually taking the rocking touch of what was starting in the United Kingdom, pushing the electricity and volume of the instruments high and experimenting with sounds and instruments. The songs picked attentively in the discographies of giants like Le Orme, Balletto DI Bronzo, Osanna, Delirium, New Trolls, are all gems in their own completely jaw dropping style, whether you love this type of sound or not.
Wicked Minds are great musicians, possibly one of the most talented bands in the tradition of Deep Purple/Uriah Heep inspired hard rock, and yet its with an utter humble spirit that they approach the project. While there are bands who carry the tradition and love for the glorious days of Italian Prog/Hard Rock, by doing covers on stage, I havent yet heard a full tribute album. The idea itself, a whole cover album devoted to italian prog bands from the seventies, is beautiful and unique. When I heard about this project by italian Hard Rockers Wicked Minds, I had goosebumps. There’s not a single moment of tiredness in this album, its trippy and magical, and incredibly warm. But also modern titans of Psych like Colour Haze. The vibe is very close to the early works from Deep Purple, Atomic Rooster, the Morrisdon-less moments of The Doors, the most jamming ones from Led Zeppelin, Hawkwind, early pink Floyd. The tracks go on in a colourful, evocative flow off electrified riffing, organ, female and slightly trippy male vocals, solos and moments of eerie arpeggios. This self titled album could easily fit in the Elektrohasch rooster, delivering almost an hour of loose, intense, heavy psychedelia, completely devoted to the concept of jamming, fuzz and acid drenched melody. All in the name of passion for music, and with complete indifference for trends.ĭesert Wizards fit that description perfectly, while being maybe closer to the taste of more traditional Heavy Psych lovers and less obscure than other releases from the label. They’re enamoured with old school sounds: prog rock in out own mother tongue, psychedelia, keyboard drenched hard rock, occult stuff. Between those, I have a special soft spot in my heart for the choices of Black Widow Records. The whole landscape of Italian Heavy Rock, presents all sorts of great, actually AWESOME, bands and labels who try to push them, even if the specialized press doesn’t help at all.
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